Trev in York, Professor Trevor in Bogotá

Ashmore, M. (1989). The Reflexive Thesis: Wrighting Sociology of Scientific Knowledge. University of Chicago Press.

Ashmore, M., Mulkay, M., Pinch, T. (1989). Health and Efficiency: A Sociology of Health Economics. Open University Press.

Collins, H. (2022). Trevor Pinch (1 January 1952–16 December 2021). Social Studies of Science, v. 52, n. 1, 144-146. https://doi.org/10.1177/03063127221074075

Collins, H. M., Pinch, T. J. (1982). Frames of Meaning: The Social Construction of Extraordinary Science. Routledge and Kegan Paul.

Glaser, L. B. (2021, 20 December). Pioneering professor Trevor Pinch dies at 69. https://news.cornell.edu/stories/2021/12/pioneering-professor-trevor-pinch-dies-69

Magaudda, P. (2014). Studying Culture Differently: From Quantum Physics to the Music Synthesizer: An Interview with Trevor Pinch. Cultural Sociology, v. 8, n. 1, 77-98. https://doi.org/10.1177/1749975513484603

Pinch, T. J. (1979). Normal Explanations of the Paranormal: The Demarcation Problem and Fraud in Parapsychology. Social Studies of Science, v. 9, n. 3, 329-348. https://doi.org/10.1177/030631277900900303

Pinch, T. (1985). Towards an Analysis of Scientific Observation: The Externality and Evidential Significance of Observational Reports in Physics. Social Studies of Science, v. 15, n. 1, 3-36. https://doi.org/10.1177/030631285015001001

Pinch, T. J., Bijker, W. E. (1984). The Social Construction of Facts and Artefacts: or How the Sociology of Science and the Sociology of Technology might Benefit Each Other. Social Studies of Science, v. 14, n. 3, 399-441. https://doi.org/10.1177/030631284014003004

Pinch, T., Bijsterveld, K. (2004). Sound Studies: New Technologies and Music. Social Studies of Science, v. 34, n. 5, 635-648. https://doi.org/10.1177/0306312704047615

Pinch, T., Bijsterveld, K. (Eds.). (2012). The Oxford Handbook of Sound Studies. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780195388947.001.0001

Pinch, T., Pinch, T. (1988). Reservations about Reflexivity and New Literary Forms or Why Let the Devil Have All the Good Tunes? En S. Woolgar (ed.), Knowledge and Reflexivity: New Frontiers in the Sociology of Knowledge (pp. 178-197). Sage.

Pinch, T., Trocco, F. (2002). Analog Days: The Invention and Impact of the Moog Synthesizer. Harvard University Press.

Tosoni, S., Pinch, T. (2017). Entanglements: Conversations on the Human Traces of Science, Technology, and Sound. The MIT Press.