Restoration Process of Medellín Escuela Popular de Arte´s (EPA) Patrimonial Sound Archives
Abstract
This article documents the development of the research project “Restoration, preservation, cataloging, documentation, research, and divulgation of Instituto Tecnológico Metropolitano´s (ITM) Faculty of Arts and Humanities, as a cultural legacy from Escuela Popular de Arte de Medellín (EPA)”, and describes, step by step, the different stages involved in the retrieval and diffusion of valuable audio material, which, by cause of the passing of time and technological changes, demands to be updated, in order to facilitate the labor of the researchers.Besides, it is a fundamental tool for audio libraries and sound studies centers, which need to convert their archives before the normal deterioration of the materials in which they were recorded spoils them with time.
References
Andreux, M., y Orellana (2003). Cómo editar música.Buenos Aires: Longseller.
Caballero, P. (2010). La producción musical en estudio. Medellín: Fondo Editorial ITM.
Congreso de la República de Colombia (2013, 3 de julio). En http://www.alcaldiabogota.gov.co/sisjur/normas/Norma1.jsp?i=3431
Gibson, B. (2007). Recording software & plug-ins. Nueva York: Hal Leonard. Iasa. En http://www.iasa-web.org/
Icom y Unesco (2013, 7 de junio). Cómo administrar un museo: manual práctico. En http://unesdoc.unesco.org/images/0014/001478/147854s.pdf
Iglesias, S. (2002). Posproducción digital de sonido.México: Alfa Omega.
Izhaki, R. (2010). Mixing Audio concepts, practices and tools. Oxford: Focal Press.
Lyver, D. (2000).Principios básicos del sonido para video. Barcelona: Gedisa.
Miles, H. (2010). Modern Recording Techniques. 7ª ed. Estados Unidos: Elsevier.
Minnesota State Archives (2013, 24 de julio). En http://www.mnhs.org/preserve/records/index.htm
Nyquist, H. (1928). Certain Topics in Telegraph Transmission Theory. Proceedings of the Winter Convention of the A. I. E. E. En http://www.ieee.org/publications_standards/publications/proceedings/nyquist.pdf
Osorio G., Ríos S., Calderón Á., y Gaviria M. (2002). La idea de una utopía social. Medellín: Fondo Editorial ITM.
Perales B., (2002). Equipos actuales de sonido. Madrid: Paraninfo.
Roads, C. (1996). The computer music tutorial. Cambridge: MIT Press.
Shannon, C. E. (1949). Communication in the Presence of Noise. Proceedings of the IRE Convention. En http://nms.csail.mit.edu/spinal/shannonpaper.pdf
Tomasso, G. (2007). Electronic resources management and longtime preservation. Fiesole, Italia: European University Institute Library.
Unesco. (2013, 13 de julio). En www.unesco.org: http://unesdoc.unesco.org/images/0013/001325/132540s.pdf