El sintesista: contexto, evolución y nuevas perspectivas de desarrollo

  • Daniel Gómez Universidad ICES
  • David Sánchez Instituto Tecnológico Metropolitano
Keywords: Cognition, interface, music informatics, sound synthesis, synthesist

Abstract

After a historical review of the synthesizer´s evolution and the study of cognitive approaches of musical teaching, some factors are stated and defined that are important to consider for the design and construction of new instruments and audio synthesis interfaces. Multidimensionality, timbre spaces, multi sensorial feedback and expressiveness appear as decisive aspects in the construction of synthesizers, shaping the paradigm to be followed by the new generation of digital instrument designers. Their main challenge is to develop more intuitive and stimulating tools that ease the approaching process of musicians to sound synthesis.

Author Biographies

Daniel Gómez, Universidad ICES
Facultad de Ingeniería, Universidad ICES
David Sánchez, Instituto Tecnológico Metropolitano
Facultad de Artes y Humanidades, Instituto Tecnológico Metropolitano
How to Cite
[1]
D. Gómez and D. Sánchez, “El sintesista: contexto, evolución y nuevas perspectivas de desarrollo”, TecnoL., no. 25, pp. 11–29, Dec. 2010.

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Published
2010-12-15
Section
Articles

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